Here/Then/Now (working title)
Forthcoming

There is a trace of violence in every landscape, however invisible it is, however deep down it was buried. A meditative journey across Manhattan, this film weaves together present-day cityscapes of New York and the city’s often-overlooked histories. As contemporary footage of the city unfolds alongside voices recounting life and landscapes in the early days of Manhattan, the film questions how the city transforms over time, how memories are forgotten, how histories are erased, and what we can see and cannot see.
The map above shows some of the the locations filmed for this film project.
Support the Project
Please consider supporting the production of Here/Then/Now (working title) by making a tax-deductible donation through my fiscal sponsor if you have means. Your contributions will directly cover the production expenses.
︎︎︎ DONATE
This film project is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. Additional support has been provided by a grant from The Puffin Foundation.
The map above shows some of the the locations filmed for this film project.
Support the Project
Please consider supporting the production of Here/Then/Now (working title) by making a tax-deductible donation through my fiscal sponsor if you have means. Your contributions will directly cover the production expenses.
︎︎︎ DONATE
This film project is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. Additional support has been provided by a grant from The Puffin Foundation.
The World Must Be Measured by Eye
2019
65 minutes
Distributor: Video Data Bank

︎︎︎ Watch the film on Vimeo On Demand
Ellen Altfest is known for her still life paintings in which she renders every detail of her subjects on a one-to-one scale. The World Must Be Measured by Eye follows the meticulous, repetitive and painstaking creative process of Altfest — the painter studies the subject, mixes paint, matches colors, measures the distance and puts the paint on the canvas with a small brush. Through observing Altfest at work, The World Must Be Measured by Eye examines the act of creation and the act of seeing. As the painter’s excessive realism and careful composition push the painting to the realm of abstraction, the film also explores the boundary between representation and abstraction.
Screening
2020
National Gallery of Art (Washington, DC)
Learning from Buffalo
2018
100 minutes
English
Distributor: Video Data Bank
︎︎︎ Watch the film on Vimeo On Demand
Buffalo, New York, which was once a prosperous city, is home to several architectural masterpieces built in the late 19th century to the early 20th century, such as the Darwin D. Martin House by Frank Lloyd Wright, the Guaranty Building by Louis Sullivan, and Kleinhans Music Hall by Eliel and Eero Saarinen. While some important buildings, including the Larkin Building by Wright, were demolished, the preservation movement has been active for the past several years. Architecture is embraced as a treasure, but it can be a burden to the city at the same time. Like many other American cities, Buffalo has suffered from economic downturn for decades. Industries have left and the population has declined almost by half. One of the issues that Buffalo has been facing is vacant properties. Since 2000, the city has demolished thousands of vacant homes and buildings to clean up some neighborhoods, which created vacant lots in turn. Exploring the architecture and cityscape of the post-industrial American city, this film meditates on the relationship between architecture, city, society, and history.
Selected Film Festivals & Screenings
2020
National Gallery of Art (Washington, DC)
2019
Cinéma du réel, International Competition (Paris, France)
Anthology Film Archives (New York, NY)
2018
Buffalo International Film Festival (Buffalo, NY)
Awards
2020
Honorable Mention for SAH Award for Film and Video
2019
Special Mention for the Library Award, Cinéma du réel
Press
“Cinéma du réel 2019: Learning from Buffalo by Rima Yamazaki”
by Alonso Castro. Desistfilm (March 15, 2019)
Racksraw Downes: a painter
2014
40 minutes
English
Distributor: Video Data Bank

︎︎︎ Watch the film on Vimeo On Demand
For educational use, please contact the distributor.Since the early 1970s, Rackstraw Downes has committed himself to painting from observation, on site, from start to finish. He has painted both urban and rural landscapes as well as interior spaces, in New York, Texas, and Maine. Although he simply paints exactly what he sees, the ordinary sites become transformed into extraordinary scenes. In 2014 Downes spent the summer painting the site located in the northern part of Manhattan and his studio in SoHo. This film captures the painter working on site, outdoors and indoors, in an observational style. It expresses the atmosphere of his work as well as the surroundings. Some of his past works, which he painted in New York City, are also included in the film along with the footage which I shot, visiting those sites on my own. In addition, known as a skilled writer, Downes recites a couple of texts specially for this film. This film is a unique but truthful portrait of the painter, captured through my point of view and inspired by the painter’s art.
Selected Film Festivals & Screenings
2017
Anthology Film Archives (New York, NY)
MOVECINEARTE Film Festival (Sao Paulo, Brazil)
2016
The National Gallery of Art (Washington, DC)
2015
Pennsylvania Academy of the Fine Arts (Philadelphia, PA)
Press
“A Film About the Painter Rackstraw Downes”
by Robert Sullivan. The New Yorker (September 21, 2018)
“Patient and Transcendent, "Rackstraw Downes: A Painter" Honors the Act of Creation”
by Chris Packham. The Village Voice (April 26, 2017)
Joan Jonas: Reanimation
2013
72 minutes
English
Distributor: Michael Blackwood Productions Inc.

Joan Jonas, who started exploring new media in the mid-1960s, is one of the most influential artists in contemporary art. This film follows Jonas working on her new installation and performance Reanimation for dOCUMENTA(13) in 2012. Inspired by the novel Under the Glacier by Icelandic writer Halldór Laxness, she created a video installation piece, mixing footage of a trip to Norway, music, text, drawings, props, and reanimated videos from her past works. For the performance, she collaborated with jazz pianist Jason Moran who had worked with her on multiple projects over the past years. In the film, the artist offers insights into her art and inspirations.
Selected Film Festivals & Screenings
2013
TEMPS D'IMAGES PRÉMIOS DE CINEMA para FILMES SOBRE ARTE (Lisbon, Portugal)
Performa 13 at Anthology Film Archives (New York, NY)
Sidewalk Superintendent
2026
8 minutes
English

New York is under construction all the time. Construction fences are a ubiquitous sight in the city. In 2013, the New York City Council passed a law mandating that all construction fences be painted hunter green to standardize the look and that viewing panels be provided on them. I started taking pictures of construction fence viewing panels with an iPhone several years ago. What is behind the fencing? What can we see through these panels?
Slideshowing photos of viewing panels, along with field recordings from construction sites and testimonies from New York City Planning Commission public hearings, Sidewalk Superintendent is a reflection on cityscapes, gentrification, housing and affordability crisis, memories, and the act of photographing.
Slideshowing photos of viewing panels, along with field recordings from construction sites and testimonies from New York City Planning Commission public hearings, Sidewalk Superintendent is a reflection on cityscapes, gentrification, housing and affordability crisis, memories, and the act of photographing.
Schist
2024
15 minutes
English
Distributor: Video Data Bank
A rock. Buildings. Trees. Nothing happens. But something is always moving. People walk by. Time passes by. Seasons change.
The Earth’s tectonic plates are in constant but imperceivable motion, which slowly move apart or crash together.
When landmasses collided about 450 million years ago, the collision created a single continent known as Pangea. Movement, heat, and pressure over millions of years transformed shale into schist. New York City is built on this tough, old rock called Manhattan schist, which holds skyscrapers.
While most of Manhattan schist lies under the ground, the ancient rock sometimes interrupts the urban fabric. Outcrops of the rock appear throughout Manhattan, especially on the northern part of the island.
Observing a massive Manhattan schist outcrop on a quiet residential block, this film examines the dichotomy between nature and human life, the past and present, human time and cosmic time, and stillness and motion.
When landmasses collided about 450 million years ago, the collision created a single continent known as Pangea. Movement, heat, and pressure over millions of years transformed shale into schist. New York City is built on this tough, old rock called Manhattan schist, which holds skyscrapers.
While most of Manhattan schist lies under the ground, the ancient rock sometimes interrupts the urban fabric. Outcrops of the rock appear throughout Manhattan, especially on the northern part of the island.
Observing a massive Manhattan schist outcrop on a quiet residential block, this film examines the dichotomy between nature and human life, the past and present, human time and cosmic time, and stillness and motion.
Title I
2022
13 minutes
English
Distributor: Video Data Bank
The 1949 Housing Act, often seen as the beginning of urban
renewal, reshaped the landscapes of many American cities. One of the nation’s
largest urban renewal projects was the Lincoln Square Title I Project in New
York City led by the powerful public official Robert Moses, which created
Lincoln Center for the Performing Arts along with Fordham University’s
Manhattan Campus and middle- to high-income housing. The area selected for the
project was a working-class,
predominantly Black neighborhood with a large population of Puerto Ricans. While
it was a tight-knit community with a vibrant culture, Moses declared the area a
“blighted slum.” More than 7000 families and 800 businesses were forced to
relocate, and the community was dispersed. Lincoln Center, which emerged as a
product of urban renewal, has helped to make New York City the world capital of
art and culture ever since.
This film reflects on the history of the Lincoln Center site by “listening” to the voices of residents who opposed the Lincoln Square Title I project, which are narrated in subtitles. These are quotes from the public hearing before the City Planning Commission, held on September 11, 1957 at City Hall in Manhattan.
This film reflects on the history of the Lincoln Center site by “listening” to the voices of residents who opposed the Lincoln Square Title I project, which are narrated in subtitles. These are quotes from the public hearing before the City Planning Commission, held on September 11, 1957 at City Hall in Manhattan.
When the Hand Touches the Sky
2021
11 minutes
English
Distributor: Video Data Bank
Hands are part of our body, but they might be too close to think. As the pandemic forced us to change our way of living and think about ourselves, it seems we have become paying more attention to our hands and the act of touching. This poetic, personal film meditates on hands, human senses, physicality, and bodiliness.
︎︎︎ Download a zine version (PDF)
Nature and Geometry in the Park
Distributor: Video Data Bank
Urban parks consist of two major elements: nature and man-made forms. Parks play an important role in the urban environment, offering relief in everyday life. While parks provide green spaces, they are not natural spaces; they are highly designed. This series of short videos explores parks, focusing on form.
Case 1: Herbert Von King Park
2017
9 minutes
This video, shot in the spring of 2017, features Herbert Von King Park which is located in the heart of Brooklyn’s Bedford-Stuyvesant neighborhood. Von King Park is one of the first parks in the history of Brooklyn, with a design submitted by Frederick Law Olmsted, the landscape architect who is famous for designing Central Park, and Calvert Vaux. The park was originally named Tompkins Park, after former New York governor Daniel D. Tompkins, and was renamed in 1985 in honor of Herbert Von King, a longtime local community organizer who was nicknamed the “mayor of Bedford Stuyvesant.” A unique Cultural Arts Center, equipped with an outdoor amphitheater, was added later on thanks to the community’s efforts.
Case 2: Fort Greene Park
2017
10 minutes
Fort Greene Park was originally the site of a fortification built for the Revolutionary War. After it was designated as a park in 1847, it was redesigned by Frederick Law Olmsted and Calvert Vaux. Fort Greene Park is a vibrant recreation space for the community in Downtown Brooklyn today.
Case 3: WNYC Transmitter Park
2024
6 minutes
WNYC Transmitter Park is a relatively new park located on the waterfront in Greenpoint, Brooklyn, which opened in 2012. As the name itself suggests, it was once the site of the public radio station WNYC’s original AM transmitter towers. The radio towers on this 1.6-acre site were in use from 1937 to 1990—back then the station was operated by the city. In addition to the lawn, the park includes a pier over the East River.